Claudius has been presented in the theatre as a worthy King Essay Example for Free

Claudius has been presented in the theatre as a worthy King Essay Claudius has been presented in the theatre as a worthy King and Polonius as an amiable and sensible father. What is your response to the ways in which Shakespeare presents one of these characters? It is hard to judge the character of Polonius in Shakespeares Hamlet, due to the fact Shakespeare presents many of the events not only through Hamlets eyes, but the eyes of Polonius children and the King, and through these different people he is presented in different ways. However, there is a great deal more to this multi-faceted character in the play, as his presence and actions in the play is of great importance, before and after his death. Polonius is presented in different ways in various stage productions; usually, he is presented as a wise man, and one with great influence upon his son and daughter, Laertes and Ophelia, and of a man highly respected by King Claudius, Queen Gertrude and the people of Denmark. Despite this, he can become a rather comic character, if the company wishes Hamlet to be presented more positively. As Polonius is presented through different productions in different ways, it is difficult to evaluate his true nature. As the play is largely presented through Hamlets eyes, it is from him we draw many of our opinions. It is eventually Hamlet that kills Polonius, stabbing him through the arras, and Hamlet who sends him off with such harsh words as a foolish, prating knave; it can be said that he encompasses aspects of this statement, as we see in different parts of the play. However, to be deeply cynical of Polonius is somewhat hard to do. Polonius, in the eyes of Claudius, the Queen, the words and actions of Laertes, Ophelia and the Danish people, and the obediency of Reynaldo give us a more reasoned insight into Polonius. Polonius can be seen as foolish mainly when talking to his servant, Reynaldo, wherein he directs Reynaldo as to how to spy on Laertes. During his speech, Polonius gets wrapped up in his own words, and seems to lose the points he is trying to get across; And then, sir, does a this he does what was I about to say? By the mass I was about to say something. Where did I leave?; Shakespeare also transfers from blank verse into prose, accentuating Polonius loss of grip. However, this may actually be cleverly checking if Reynaldo is listening; the fact he quotes him directly back At closes in the consequence, at friend or so, / and, gentlemen' suggests many positive factors. For one, it is a reflection on Polonius authority and importance that Reynaldo remains attentive and quotes him back perfectly. Also, if this is a trick, Polonius may feel the matter is so important to his sons welfare that he needs to test Reynaldo to see if he really is listening so that the surveillance can be perfectly executed. Polonius may be seen to lose his grip in his bouts of prating to the King and Queen in parts of the play too. His speech to Claudius and Gertrude concerning Hamlets madness is a prime example of Polonius prattling, as we see in his long-winded build up to his conclusion, that Hamlet is mad; Therefore, since brevity is the soul of wit,  And tediousness the limbs and outward flourishes,  I will be brief. Your noble son is mad..

The Cosmological Argument for the Existence of God Essay example -- Th

The Cosmological Argument attempts to prove that God exists by showing that there cannot be an infinite number of regressions of causes to things that exist. It states that there must be a final uncaused-cause of all things. This uncaused-cause is asserted to be God. Arguments like this are thought up to recognize why we and the universe exist. The Cosmological Argument takes several forms but is basically represented below. Cosmological Argument Things exist It is possible for those things not to exist Whatever has the possibility of non-existence, yet exists, has been caused to exist. Something cannot bring itself into existence because it would have had to exist to do that. There cannot be an infinite number of causes to bring something into existence, because an infinite regression of causes has no original cause, which means there is no cause of existence. Since the universe exists, it must have a cause, therefore there must be an uncaused cause of all things. This uncaused cause must be God. Thomas Aquinas (1224-1274) had a version of the Cosmological Argument called the Argument from Motion. He stated that things in motion could not have brought themselves into motion but must be caused to move. There cannot be an infinite regression of movers. Therefore, there must be an Unmoved Mover. This Unmoved Mover is God. Strengths of the argument The strengths of the Cosmological Argument consist of the simplicity and easily understandable concept that there cannot be an infinite number of causes to an event. Some arguments for God's existence require more thought and education in terms and concep... ...existence of things that are necessary does not require explanation; their non-existence is impossible. The existence of anything contingent, however, does require explanation. They might not have existed, and so there must be some reason that they do exist. The only adequate explanation of the existence of the contingent universe, the argument from contingency suggests, is that there exists a necessary being on which its existence it rests. For the existence of the contingent universe must rest on something, and if it rested on some contingent being then that contingent being too would require some explanation of its existence. The ultimate explanation of the existence of all things, therefore, must be the existence of some necessary being. Followers of the cosmological argument identify God as this necessary being.

Rhetorical Situation and Visual Design

1) Practical visual design is rational in the sense that each step of the way you can understand why you're making design decisions. 2) The three elements of the rhetorical situation are audience, purpose and context. 3) Some examples of large-scale responses to the rhetorical situation of a document include 11† x 17† four panel format, heavier paper, and arrangements of the documents major elements -brochure-like format, visual demeanor. ) Some examples of local-level responses to the rhetorical situation of a document are typography, large, bold type, bulleted list, single page letter, parallel layout, -narrow text columns, two bar charts and table, labels. 5) Traditional rhetorical strategies apply to visual design in the following ways Arrangement and emphasis strategies pertain to the visual structure and organization of the document. Clarity and conciseness strategies pertain primarily to functional matters of style, of making the design readable and efficient.Tone and ethos strategies relate primarily to readers subjective responses to the visual language, its voice and credibility. 6) Cognate strategies of visual designs interrelate and overlap because technicality may add to clarity as well as to conciseness. In the same way, the placement of the headings or drawings on a page in not entirely a matter of arrangement rather than ethos and of clarity rather than emphasis. 7) The three kinds of activities in the design process are Invention -Revision -Editing. ) Conventions in the context of communication are customary forms and configurations that members of an audience expect. 9) The three ways of grouping visual conventions are according to scope, degree of flexibility and size of the use group. 10) â€Å"Visual discourse community† means an audience that understands certain conventions. 11) Three guidelines for using visual conventions are Identify relevant conventions for any design problems you're trying to solve Realize that some conventions are more rigid than others Think of conventions in terms of your readers, who give them meaning and significance.

Doctor Faustus A Tragic Tale Of A Man - 871 Words

Christopher Marlowe’s, Doctor Faustus is a tragic tale of a man who decides to seek pleasure to the point that traps him in the end. Throughout the whole play, Faustus, battles with his inner good and evil. People can relate to this, because it is an ongoing fight that each individual struggles with. This play shows the different routes that each person can partake in in life. Although Faustus seems to have been relishing his choices outwardly, there are reasons why man should not live godlessly, seek infinite knowledge and pursue vain pleasures. The author shows the theme that man should not pursue power aggressively, because in the end Faustus is dragged to hell. In the play, Doctor Faustus starts off by seeking to learn magic and infinite knowledge. In Scene 1. 40-50., Faustus begins questioning the Bible s view about sin leading to death and instead begins to praise magic and divinity saying and necromantic books are heavenly! Though Faustus conscious, being the good angel, tells him to throw the magic book aside he ignores the heavenly voice and begins to partake in practicing magic (1. 70). As his curiosity leads him to profess his soul to the devil to gain anything he so desires, he begins finding out some painful truths about the heavens existence through Mephastophilis. With this new terrifying knowledge, Faustus again declares that he wants to repent, but because he is so deep into seeking pleasure and only agrees with his evil conscious voice, he reaffirmsShow MoreRelatedComparison Between Christopher Marlowes Doc tor Faustus and William Shakespeares Twelfth Night872 Words   |  4 Pagesï » ¿Christopher Marlowes Doctor Faustus versus William Shakespeares Twelfth Night Both Christopher Marlowes Doctor Faustus and William Shakespeares Twelfth Night deploy many of the same characteristic rhetorical features of 16th century verse dramas. Both plays are characterized by highly elaborate language, usually in iambic pentameter, although different types of verse structures are occasionally used to convey different moods or character types. Both plays combine tragedy and comedy within theRead MoreAcademic Expert1298 Words   |  6 PagesWilliam Shakespeare, concerning the subject of knowledge probably being a downfall as they have inferred in their own plays, Doctor Faustus and Hamlet respectively. Amusingly, the chief persona of both plays is an academic intensely occupied with the quest for knowledge. In addition, each character is as well a tragic idol whose demise is inevitable. 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Dr. Faustus’s route from religion to magic seems to be forcedly cobbled together in order to elicit a certain emotion towards sophists as a whole, and Marlowe laboriously thrusts Dr. Faustus into becomingRead MoreA Divided Self: The Many Facets of Faustus2074 Words   |  9 PagesHaving attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiatingRead MoreAnalysis Of Ben Johnson And Christopher Marlow Essay1573 Words   |  7 Pagesmoolah back in the day. They even each other and had very light rivalries. I will be talking about these two men’s works and how they affected Elizabethan drama. (Volunteer doopededoo) So, let’s start with Ben Johnson. This man was first born in London, England in 1572, just nine years after Shakespeare was born. Shortly after little Ben was born, his dear sweet father died. His mother, being, you know, poor, remarried a bricklayer. Ben would then go to the St. Martin’s Parish